Identity in Science and Paint
I've always had an interest in systems that have a depth to them. There's a lot to draw from that, inspirationally.
Painting is a way to project my inner thoughts and imagination out into space. A long time ago when I'd gotten out of high school I didn't really have any direction. I guessed my way through life and assumed I should be an artist, mainly because it was what I aligned myself to be at that point. In a sense, I am glad I was a little wrong .
Left/right-brained thinking is really damaging concept. When people separate something like art and a form of science or math, it confuses future generations about its overlaps. Unfortunately - there are oblique examples of great thinkers
I knew I wanted to be an artist, but that was an obligation-oriented route just because I'd dabbled in art for so long. I guess I strung along the idea of being an artist because I thought it was what I was "supposed to be." It wasn't until I took a summer-long trip to England where I worked as a farm hand in 2010 did I start rethinking life and the pursuits within it. I guess after a screenless summer traveling around with a sketch pad (and some screamo albums on my ipod) did I want to make a change in my life. This wasn't the kind of change where I got a new job or started eating only bell peppers, it was a change in my character.
I loved to discover and learn.
I base a lot of who I am now in how I paint, this wasn't always the case. I think Tame Impala's new album's lyrics hit the nail on the head: "'Cause what we did, one day on a whim, will slowly become all we do." When I graduated and was done with school, I was sitting in my in-laws shed and had a thought. That thought became an idea, and a space was born where I did nothing but paint. I'd smoke cheap cigarettes, nice whiskey, and delve into worlds unknown. I have always been about volumetric painting, finding a point in which I am more than a line or value - volumes should consume.
I paint exclusively with acrylics and use the brands Golden or Matisse Structure. They are thicker paints and allow easy stretching with water for washing or shading. I've painted on wood, masonite, and other mediums but prefer canvas. My technique is very scatter brained, I always just randomly work my way around a canvas in nonlinear chunks. Composition is very important, but I have a hard time finding balance earlier in a piece (unless I really have a solid idea on what I'm doing).
I don't like to say I learned how to paint traditionally, it was only took a few art classes early on in college and we mainly used charcoal or ink. Back then I thought I was going to be a graphic designer, since I was already working as one during that time. My dad was a musician and my mom an artist, so I had appropriate influences at an early age and mom put me in crafting/art lessons. It wasn't til I graduated high school did I start focusing on becoming a better artist.
Painting starting becoming interesting to me when I was 18. My mom had a load of cheap hobby lobby craft paint lying around from years of collecting for various projects. The idea of painting felt like building volumes in space, and less like sketching out lines to color in (which was all I was doing at the time); it wasn't as easy to just pick up a brush and create a composition as it was sketching out a drawing with pencils or pens. In truth, when I first made my first painting ever on a cheap 1.5' x 2' canvas, there wasn't a love connection. It took me months to try another, which I eventually did, but again there was no connection. It wasn't until 2011, when I was 22 and getting married, and we had empty walls in our new apartment. That gave me enough momentum to start painting seriously.